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Bartók forever
Inventio 1 C Major BWV 772
Bartók forever
1:06 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 1 5 7 100%
Bass 23 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 1 5 7 100%
Bass 23 0 5 6 100%
 
Simple "westward" modulating progressions based on the Cycle/Circle of 5ths
Bartók forever
1:20 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 35 19 6 98%
Bass 31 0 16 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 35 19 6 98%
Bass 31 0 16 6 100%
 
Warum betrübst du dich (Aria) BWV 516
Bartók forever
1:16 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 16 5 6 100%
Bass 14 0 2 5 100%
Stimme Treble 13 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 16 5 6 100%
Bass 14 0 2 5 100%
Stimme Treble 13 0 4 6 100%
 
Variations
Bartók forever
2:05 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 11 9 4 90%
Bass 34 27 11 4 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 11 9 4 90%
Bass 34 27 11 4 84%
 
Once upon a time
Bartók forever
2:05 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 1 3 4 54%
Tuba Bass 19 0 8 5 54%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 1 3 4 54%
Tuba Bass 19 0 8 5 54%
Flügelhorn Treble 14 0 2 4 48%
Treble 7 0 1 4 15%
Flöte Treble 18 0 7 4 44%
Horn
in
F		 Treble 19 0 7 5 41%
Klarinette
in
B		 Treble 10 0 4 5 28%
Pauke Bass 3 0 0 3 19%
 
Mariä Wiegenlied Op. 76 No. 52
Bartók forever
1:38 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
 
ARIA: So oft ich meine Tobackspfeife BWV 515/515a
Bartók forever
1:53 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
 
Pavane. The Earle of Salisbury
Bartók forever
1:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
Bass 18 7 2 6 89%
Bass 18 7 2 7 89%
 
Wer nur den lieben Gott lässt walten (Choral) BWV 691
Bartók forever
1:00 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 1 2 6 100%
Bass 15 0 3 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 1 2 6 100%
Bass 15 0 3 5 97%
 
Philipp's Progressions
Bartók forever
1:22 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Streichinstrumente Treble 21 38 10 4 100%
Bass 9 0 3 2 36%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Streichinstrumente Treble 21 38 10 4 100%
Bass 9 0 3 2 36%
 
Three Renaissance Versi
Bartók forever
1:37 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 22 0 9 7 87%
Treble 3 0 1 2 4%
Bass 22 0 7 5 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 22 0 9 7 87%
Treble 3 0 1 2 4%
Bass 22 0 7 5 76%
 
Sarabande from HWV 437
Bartók forever
1:21 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 15 3 3 100%
Bass 12 1 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 15 3 3 100%
Bass 12 1 0 3 100%
 
Mir nach spricht Christus unser Heldt
Bartók forever
2:06 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 19 0 3 6 97%
Treble 15 0 1 7 90%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 19 0 3 6 97%
Treble 15 0 1 7 90%
Bass 18 0 5 6 97%
Stimme Treble 8 0 0 6 66%
 
Ballet
Bartók forever
1:41 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
 
Wandrers Nachtlied II D 768 (1822)
Bartók forever
1:52 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 5 0 5 63%
Bass 20 18 5 5 100%
Voice Treble 9 0 1 6 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 5 0 5 63%
Bass 20 18 5 5 100%
Voice Treble 9 0 1 6 79%
 
Fuge c-Moll BWV 871 (subject and its derivations marked)
Bartók forever
1:19 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 0 10 7 92%
Bass 29 1 10 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 0 10 7 92%
Bass 29 1 10 6 89%
 
Two Giggs
Bartók forever
2:06 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 17 6 3 6 100%
Treble 17 4 3 5 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 17 6 3 6 100%
Treble 17 4 3 5 97%
Bass 18 16 4 6 84%
Bass 21 16 4 6 84%
 
Inni del Primo Tuono
Bartók forever
1:12 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 0 5 6 97%
Bass 15 0 2 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 0 5 6 97%
Bass 15 0 2 6 89%
 
"Im Walde" from "Liederkreis", op. 39, 1840
Bartók forever
1:28 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 34 7 4 100%
Bass 17 12 3 4 100%
Voice Treble 12 0 3 6 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 34 7 4 100%
Bass 17 12 3 4 100%
Voice Treble 12 0 3 6 73%
 
Dolcissima mia vita
Bartók forever
1:58 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 14 0 5 7 93%
Sopran Treble 13 0 5 8 91%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 14 0 5 7 93%
Sopran Treble 13 0 5 8 91%
Alt Treble 15 0 6 8 89%
Mezzosopran Treble 15 0 6 7 89%
Bass Bass 18 0 6 8 76%